Welcome to Sunny San Lazarus

Map of the (fictional) city of San LazarusI am unreasonably excited about the Sentinel Comics RPG. I love the card game. I love Greater Than Games. I love the specific designers behind this game. This is pretty much a conflux of so many things that I love so much that it was inevitable that I threw a very silly amount of money at the Kickstarter.

I look forward to talking about it more as time goes on, and this is the game that might drag me back into doing a mega-review. But for the moment, I want to talk about my plan.

To date, I have read as little of the RPG material as possible. Fred is running the Starter Kit adventures, so I’ve read the player stuff in that, but that’s it. I could probably know more if I wanted, but I’m genuinely excited to encounter the book in as fresh a state as possible.

But for all that, I am not that good at waiting. I have been guzzling down the Sentinels settings podcast, The Letters Page, and gorging myself on both lore and Christopher and Adam’s delightful sensibilities. I would have listened to them all by now, but my son also loves the podcast, so I have to slow down so we can listen to it together.

And, of course, I have been thinking about the game I’m going to run. Because I am going to run.

In the absence of a gamebook, but with a decent body of setting lore, I started thinking about what I wanted. First and foremost, I needed a city. The Sentinels setting has two prominent American cities (Megalopolis and Rook City) and they’re absolutely great, but if I’m doing my own stuff then I was probably going to make my own city. Which got me thinking about the things I wanted in a city.

First, I was inclined towards the west coast. No real thematic reason for this, but the other two cities are easterly, and it seemed like some physical distance would open up opportunities. That probably meant California or Washington.

With that in mind, I thought about influences. I’ve always liked how the cities in DC comics resonate with real-life cities – Metropolis and Gotham as the two faces of New York, Opal City echoing Baltimore, Star City echoing Chicago and so on. To my mind, the iconic west coast cities would be L.A., San Francisco, and Seattle, with honorable mention to Portland and San Diego. This didn’t suggest anything specific, but it gave me some notes to hit.1

Lastly, I needed a reason for it to be interesting. Rook City and Megalopolis have very rich histories which are full of hooks that story can attach itself to. They are the kind of places where almost anything can show up, and you can probably find a decent reason for it. I needed that kind of flexibility, which meant I needed to start spinning deep tales.

Or I could cheat.

So, there is one other named city of note in the Sentinels setting: San Alonso. Home of Champion Movie Studies, it is an L.A. sort of place. However, in the OblivAeon event (which is the precursor event to the RPG) the city was very literally destroyed. Huge energy blast from the sky. Millions dead. Very, very bad.

I was struck by the image of a perfectly circular bay where the city had once stood, and that got my brain whirling. Obviously, even if a new city were to be built, that effort would take more time than was available before the RPG began. I could maybe have some early construction and go for a reclamation sort of theme?

Or I could really lean into the supers stuff. Super science. Nanotech. Extradimensional visitors. All that jazz. What if all that had really been thrown at building a new city on the shores of that bay? That could work. Definitely got some hooks and potential – full of things that villains may want and so on. Cool, cool.

But…not quite grabbing me.

So I dug further into the why, and found something great. See, one other upshot of the OblivAeon event is that a whole lot of people from other dimensions got stranded on our world2 and were now sort of stuck. In addition to the sheer number of deaths and the scope of destruction of the event, this introduced a huge logistical problem because these folks had no homes, no jobs, no citizenship and were often more than a little bit weird. What does one do with those folks?

In many games, I’d got the dystopian route, but this is a somewhat more positive world, and the U.S. Military has just gotten past the discovery that it had been secretly doing pretty bad things with superpowered individuals, so in the case they do the thing that America is supposed to do, and provide a place for these people, throwing the government’s weight and resources behind this new city.

That worked for me. It gave me a deep bench of weirdness to draw from and gave a reason for the city to be robust, dynamic and cosmopolitan despite the paint being fresh. Add in the crazy-deep bay (quite possibly full of ghosts) and possible lingering OblivAeon effects and I am going to have no shortage of hooks. I had the potential of some science vs dark magic tension (new growth vs. the city kind fo being a graveyard), Business vs. government, and even media vs. technology.

I lacked a name that I really liked until Will Hindmarch suggested “San Lazarus” and that was utterly perfect.

So with that in mind, I sat down and started drawing the map.

That may seem backward, but for me, it’s very inspirational. I don’t draw maps to document what I know, I draw them to see where the blanks and connections are, and then do things with those. The Nemosphere (now one of my favorite parts of the city) was not part of my original idea but was simply a result of my pondering how the rail system was going to handle the bay.

Anyway – It’s totally possible that some of what I’m writing up will contradict material in the game when it comes out. I’ll deal with that when it happens. Normally, I would not care at all, but the SCRPG team do a good enough job with setting that I’m open to repurposing the work if their version grabs me. But until then, I’ll keep writing it up, and I’ll probably share more here as I go.

    1. Honestly, I don’t think there was any way for there not to be at least a little Silicon Valley in whatever I made.
    2. Short form: OblivAeon was collapsing all realities, and so was being fought by heroes across the multiverse. When he was defeated, the multiverse snapped back to a healthy state, and if you were in the wrong world when it happened, that’s where you are now. This mostly affected heroes (it’s an excuse for MANY origins), and I’m taking liberties in suggesting that many civilians were affected too, but that seems in spirit.

6 thoughts on “Welcome to Sunny San Lazarus

    1. Rob Donoghue Post author

      I am delighted that you asked! There are reasons on 3 different levels of meta!

      1. It emphasizes the rebirth theme
      2. It tested better with audiences
      3. There’s an implicit pushback to the east-coast centric view of things

      Reply
  1. Ben

    Interesting stuff, looking forward to hearing more.

    Years ago I had an idea for a supers game set in a brand new or totally revitalized city. Basically a city designed from the ground up with modern urban planning and limitless money, like a giant city sized Apple campus. Tons of green space, lighted walkways, touch screens everywhere, free public transportation, modern architecture, super efficient low rent apartment buildings, cops that carry stun batons not guns, etc. The total opposite of Gotham.

    Reply

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